Perhaps Lou is able to make this cover his own, because it has the sort of narative you would almost expect from a Lou Reed song. This is from the benefit album called Sweet Relief that came out in the 90's. Here's a little bonus for all of you old 120 Minutes fans, Lou and Ms. Williams (sorta) playing the song live:
I think Victoria Williams is an incredible songwriter, and I was very excited to see her at a music festival that was held by Paste magazine in Decatur GA a couple of years ago. It was one of the most disapointing concerts I have ever been too. She was a mess, couldn't remember words to songs, and it was just abismal. I had to apologize to my wife and her sister, who I dragged there. Maybe she was off that night, I'm not sure, but I certainly wouldn't be so excited to see her if she was playing nearby again.






My Trusted MOGs
this comp and the No Alternative comp came out around the same time. Both still get a lot of air play on my radio at home
My Trusted MOGs
Yeah, they really introduced me to her music. Loose is an incredible album, but I sometimes her voice is so much like a kids it can test you a bit. She does a song called "My Ally" with Dave Pirner of Soul Asylum (whom I'm not a fan) but it will just about make you cry it's so sweet.
I also enjoy the soul asylum cover of "Summer of Drugs" on Sweet Relief as well.
My Trusted MOGs
hhmmm, this is almost like a conceptual follow up to "Sweet Jane". Your right about Lou making it his own...thanks!
My Trusted MOGs
Yeah lyrically, and his delivery is so very Lou. I don't know how he didn't have a hit with it. It is just simple paired down Reed at his best, makes you remember why he was once so great. Maybe he still is, but I haven't given anything past New York a spin.
My Trusted MOGs
Yeah, try "The Raven" - just joking DON'T! (sorry Lou, we love ya)
My Trusted MOGs
Ooh, don't get me started on such laziness! I remember Lou getting all sorts of praise, and I was like, "Really, Edgar Allen Poe? How quaint..." I mean, it's something a person in Jr. High would do. I can't stand it when artists use something so embedded in culture and try to make it "deeper", or some nonsense.
God, that's so overdone. I put actions like this up to the same scrutiny of any contemporary art work that references Greek or Roman mythology. If I see one more recreation of Remus and Romulus at the she-wolf's teet, I'm gonna throw up.